Workshop on Films and Videorecordings Cataloging

 

Thursday, March 31, 9:00 AM-5:00 PM

Hamilton Library, University of Hawaii at Manoa, Room 306

 

Trainer: Peter H. Lisius

  Music and Media Catalog Librarian

  Assistant Professor

  Kent State University Libraries

 

 

I.            Training Materials:        

 

 

II.            Questions and Answers

 

Basic Section:

 

Q1. Should subfield(s) in 041 follow the alphabetical order, such as example in slide 38, should subfield “$j eng” be after subfield “$h spa”

 

A1.  Subfields in MARC records are not generally intended to be input in alphabetical order. See details in OLAC Newsletters: Cataloger’s Judgment: Q&A, compiled by Jay Weitz (http://olacinc.org/drupal/newsletters/enews/2010June/judgement.html)

 

Follow-up response from Shi Deng:  Jay Weitz’s Cataloger’s Judgment: Q&A can be keyword searchable at: http://olacinc.org/drupal/?q=node/59

 

Q2. If an English parallel title is seen on disc, can it be added to 245 [$b]? (Question asked at the time with slide 46)

 

A2. You would start with chief source.  AACR2 says item itself and its container (and container label) if the container is an integral part of the piece (7.0B1). So yes, if an English title appears on chief source of information, e.g., the title frames, a disc, [with the title proper]; no, if an English title appears only on disc [as not taken from title frame with title proper], use 246 to trace the English title.

 

Q3. Which field do we choose to record participants/performers and creation/ production credits? 511 or 508 field?

 

A3. Creation is different from performance. 511 records credits for these who PARTICIPATE in a film, while 508 records credits for these who CREATE and/or PRODUCE a film and not recorded in 245c.

 

Q4. Question on 245 $c punctuation as practice convention, usually not put comma between credit and name when it is not on the piece, i.e. “dao yan Lu Xuechang”(CJK practice convention)  vs. “dao yan, Lu Xuechang” (slide 51, 63, etc.) (Originally asked by Sarah Elman, brought it up by Peter Lisius)

 

A4.  For English DVDs and other Western languages that I catalog, I've always added commas when it made sense grammatically to do so. Then asked audience what they think.

Shi responded that at UCSD, for original cataloging, we follow CJK practice convention most of time unless a person with multiple credits/different responsibilities, three or more, we would use comma to break them to make sense grammatically, i.e.” zhi pian, she ying, bian ju, dao yan, Lu Xuechang (制片, 摄影, 编剧, 导演, 路学长),” not “zhi pian she ying bian ju dao yan Lu Xuechang.

 

Q5. Morimoto pointed out a couple errors in 246 of the 4th example of slide 61: missing space after Hotel M; missing “$b”; “Gangster” should be lower case.

 

A5. Before correction: $i Title known as in English: $a Hotel M: Gangster's Last Draw

After correction: $i Title known as in English: $a Hotel M : $b gangster's Last Draw

 

Q6. I have seen a lot catalog records record original release date for DVD in 260c, what’s your practice?

 

A6. It is OK if date is the same as original release date. However, if not, prefer to add original release date in 500 field to avoid confusion.

 

Q7. If a copy found matching, credits on screen in CJK, but recorded as English probably taken from container, what you would do?

 

A7. If you are pretty sure about it, enhance the record by adding CJK scripts, if not, create new record.

 

Q8. Publication date with DVD that has special feature: What about single DVD that has special feature?

 

A8. Treat it the same as DVD with special feature on bonus DVD.

 

Q9. As to the second example of slide 97: why coding single date in DtSt of fixed field in this case?

 

A9. In this case, special features are included. (Referring to OCLC master record: 150881728. This record indicates that multiple special features are included in the DVD version.)

 

 

Q10. If a motion picture is based on an original drama/novel by an author, where do we record the original author? In 245 $c?  ?

 

A10. Yes, if the original author appears on the chief source of information.

 

Q11. Do we still emphasize “title from …” note?

 

A11. Yes, we should, if not from chief source.

 

Q12. Is it a standard practice to provide summary in CJK language in quotation marks in 520 field? (See also example and question in slide 102)

 

A12. Hideyuki Morimoto’s answer is yes, according to Descriptive Cataloging of East Asian Material: CJK Examples of AACR2 and LCRIs, 7.7B17 Summary. 

 

Q13. If [language] subtitles are added to a DVD, do we create a new record?

 

A13. Yes, adding [language] subtitles is considered a significant difference from other versions.

 

 

Advanced Section

 

Q1.  What is a reasonable cataloguing quota of videorecordings?

A1.  It is difficult to come up with such a number, especially at academic libraries, where cataloguers are expected to perform other additional duties than hands-on cataloguing. Maybe, it is within the range of 10-20 original cataloguing bibliographic records per day, accompanied by processing of necessary supporting authority records, for videorecordings.

Q2.  What is the difference between genre/form headings 155 and form subdivisions 185?

A2. The trainer reviewed Advanced Section, Slide #4.

Q3. Genre/form headings may not geographically be subdivided.  Isn't it the case?  How may such a geographical aspect of a videorecording be indicated?

A3.1. Genre/form headings may not geographically be subdivided.

A3.2. It is LC's policy for the time being.  In the meanwhile, some libraries code bibliographic field 655 entries as local and geographically subdivide genre/form headings, when deemed appropriate.

Q4. When a name of a corporate body is "... Films", is such a name alone considered to convey the idea of a corporate body or is it necessary to add a qualifier " (Firm)" in the heading, as per AACR2, 24.4B1?

A4.  The trainer tends to think "... Films" alone conveys the idea of a corporate body and usually proceeds as such.  However, when various cases of this type are checked in the LC/NACO Authority File, mixed practice is apparent.

Q5.1. Advance Section, Slide #57 (excerpt from a bibliographic record):  The uniform title under field 130 and the title proper under field 245 are identical.  In this case, is uniform title necessary under bibliographic field 130?

Q5.2.  Should the uniform title under field 130 rather receive a qualifier in subfield "a"?

Q5.3.  However, exact match authority record, LCCN no2010061721, does not carry any qualifier for this uniform title.

A5:  The trainer will investigate this case and will let workshop participants know his findings. [Below is the trainer’s follow-up answer via e-mail:

 

**No, it isn’t necessary to add to the bibliographic record.  They are identical, as you note above.  I had originally added this example because there was an authority record for the series in the NAF.  In Question 5.3, the question was why the same basic title for “Ethical markets” did not have the qualifier “Television program.”  This heading was established by me.  When I set this heading up, there were no “conflicting resources” making it necessary to qualify the heading by “television program.”  But, there was another title by which this series is known, “Ethical markets TV series,” and it is included as 430 reference on this particular NAR.  If the program had not been known by a different title, I wouldn’t have established the heading.]

Additional question about whether it's necessary to add the uniform title (with qualifier) to the record for the original work.

Trainer:  When cataloging motion pictures, I always search the NAF for a uniform title.  If I find one, I always add it to the bibliographic record.  I usually assume that a previously-existing conflict prompted the heading’s creation, making it a good idea to add the uniform title each time a heading is found.

Q6:  When a uniform title is established in the LC/NACO Authority File for use under bibliographic field 630 as a subject of a resource on a motion picture, should a pre-existing bibliographic record for the motion picture itself be revised for addition of the uniform title under field 130?

A6:  It is PCC practice to do so.

Q7:  Is it a requirement to enter relater codes?

A7:  No, it is not mandatory.

Q8:  Should uniform titles separately be established for different videorecording systems, such as VHS, DVD, and Blu-ray?

A8:  No, VHS, DVD, and Blue-ray are still of the same format, videorecording.  Separate uniform titles are established for different resources.

Q9:  For establishment of separate uniform titles, when it is said they are established for different resources, do different resources mean different contents?

A9:  Yes.

Q10:  In the following pre-existing name authority record:

   010     no2010182385
   040     IlMchBWI |b eng |c IlMchBWI
   130  0 Melancholy of Haruhi Suzumiya (Television program)
   430  0 Suzumiya Haruhi no yu(macron)utsu (Television program)
   670     The melancholy of Haruhi Suzumiya. Complete  collection [VR], 2006.
   670    IMDb, Nov. 8, 2010 |b (Melancholy of Haruhi Suzumiya; Japanese animated

television series; original air date April 2, 2006; original title: Suzumiya Haruhi no yu(macron)utsu)


Why is the established heading an English translation title and the cross-reference a
Japanese original title?
  As more or less explained under 670-2 above, Japanese original
Suzumiya Haruhi no yu(macron)utsu was first televised, Apr.-July 2006, then translated
into English and localized for the North American market for release, May-Nov. 2007.  So,
the Japanese and English versions were *not* simultaneously made.  Also, the cataloger
who established this name authority record did have both the English translation and
Japanese original titles.  Is LCRI, 25.3A for the named individual works of art applied
to television programs?

A10:  This name authority record is in error.  The Japanese original title should be the main part of the established heading.

Q11:  Then, may fields 130 and 430 be switched in this name authority record for update registration in the LC/NACO Authority File?

A11:  Yes, if one is authorized to make changes to name authority records in the LC/NACO Authority File.

Q12:  A DVD was originally published with no series title.  Then, the same DVD was re-packaged, together with other DVDs, with a series title on a box.  Is a new bibliographic record permitted for the re-packaged DVD?

A12:  When there is no major difference, and when there is no accompanying material added, and when there is no special feature added, no new bibliographic record is created.  Series title appearing on a re-packaged box alone does not constitute a major difference. (If considered important, catalogers may
add additional information of the re-packaging in local note.) An alternative approach is to create a set record for the new set so the data elements of this re-packaged manifestation can be brought out.

 

Q13:  As long as the same bibliographic record is used for the original DVD and repackaged DVD, may the series statement appearing on the box (but not in or on DVD itself) of the later repackaged publication be added to the pre-existing bibliographic record originally prepared for the original DVD?

A13:  No.

 

 

RDA Section

 

Q1. Question about DVD doesn’t indicate the year it was released, can we use conjecture date?

 

A1. Yes. If you know the date late than … use [20--], if sure, [date], if not sure, [date?].

 

Q2. How do you see the implementation of RDA?

 

A2. RDA concept will truly help patron identify videos. It all started with good intention. … Latin abbreviations are acceptable internationally, but now we go down to the level without them. … MARC is old format, we need new thing that definitely work well with RDA. I don’t want RDA to die, it’s a new standard in progress.

 

Q3. How much of your workshop slides can be shared?

 

A3. Don’t mind to share, but will do some tweak before put on CEAL web site, maybe by the end of April.